You’ve
written zealously for months, your enthusiasm growing as the plot unfolds
before your eyes. Characters, once just
names on a page, have come to life and appear to be writing the story for
you. Each morning you wake up with fresh
ideas and churn out yet another thousand words before lunchtime. It’s exhilarating to say the least until, one
day, you find it all grinding to a halt.
Your manuscript has sagged in the middle!
Days
become unproductive, nights sleepless. Is there a solution to this dilemma? The first thing
is you don’t give up. Instead you turn
on your determination and treat this as a challenge.
To start
with think of your manuscript as a three act play.
Act 1 you are busy introducing characters, the
settings they inhabit, establishing subplots and conflict.
Act 2 complications arise, your protagonist tries
and fails and tries again.
Act 3 you tie up sub-plots and loose ends, your
protagonist finally confronts the villain and all is resolved.
If you look
at Act 1, you can see there’s lots to be done establishing your characters, settings etc. And again in Act 3, you are
bringing it all together and finalising everything. But Act 2 can be difficult because it’s where
all the action is. You have to tell your reader, in a plausible way, how your characters are dealing with their conflicts. If you’re writing a murder mystery you have
to show the workings of how the crime is being solved. So it’s not uncommon to experience
problems. Your conflict might run out of
steam or you find it difficult to solve the crime.
Here are a
few suggestions to remedy the situation:
Option 1: Someone
once said to me that embarking on writing a book is like giving yourself a lot
of problems that no one can help you with.
That’s true in a sense, but not altogether because I’ve found just
talking to someone about plot problem(s), does help make things clearer in my
mind. And the strange thing is the person
you’re speaking to doesn’t necessarily have to respond. They just have to have the endurance to
listen to your ramblings until you’re quite finished. Mothers are the best choice for this
task. If that’s not an option then a
spouse or sibling is probably the next option.
Friends, not so good. You
wouldn’t want to do this to a friend!
Option 2: Take
stock. Think about your characters and
your plot. What’s at stake for your
characters? Is there something about
them you have overlooked? If your plot
has come to a standstill, is there another direction it can go in?
Option 3: Skip
over your problem area and write a scene further along. Sometimes what you write might suggest
actions for the scene(s) that have been giving you trouble.
Option 4: Make
things happen. Create a new conflict/event
for your character(s) to be faced with. And
think about how your character(s) will logically deal with this new situation. If you’re writing a murder mystery, have
another murder take place. This is sure
to get things moving again!
Option 5: Write
the finale. Even if this eventually
changes, it might give you a sense of direction.
What are
your suggestions for sagging middles?
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