This morning we are
travelling to Israel to talk to author and activist, Zahava Englard, about her
recently released book, The Gilboa Iris.
Zahava, welcome to The Perfect Plot.
The Gilboa Iris is your first sojourn into fiction. Please tell us about it.
ZAHAVA: It’s all about the
passion. Like every Israeli living in Israel, I’m passionate about the
land. The Gilboa Iris tells a story not just about the passion between the two
main characters, but passion between the characters and the Land of Israel.
Perhaps it is because we live under a constant existential threat that Israel is a
country steeped in passion, where we live for each moment − because one never knows what
the next moment will bring.
Over the years, I’ve visited too
many families in Israel
who had lost loved ones - either in an Arab terrorist attack, or while on
active duty in the IDF. One hopes to give a measure of comfort and strength to
the bereaved. But what I always found, without exception, is that each of these
families provided the strength and encouragement to all who visited THEM. They
had such a high level of faith, courage and strength, that out of the depths of
their despair when they would recite the blessing, Baruch Dayan Ha-emet,
(bless the true judge), they meant it.
After one such visit a couple of years ago, my mind
wandered (having my own two sons in the army) to a place a mother never wants
it to wander. I thought about how I
would react if God forbid..........Would I be as brave as these families? Would I be
able to summon up that level of faith? Strength? Courage?
I explored what I thought my reaction would be
through a character that I conjured up in my mind, later to become the female
protagonist of The Gilboa Iris, Dara Harow.
Her reaction was not a pretty one. It was raw and unrestrained. It was unpleasant - at times disturbing. It
was human and it was passionate.
Before I knew it, I had a whole scenario playing out in my
mind with "Dara," a young idealistic American student, who travels to
Israel
to live her dream and must deal with the deadly consequences of Arab terror and
global jihad. And with "Roni Ben-Ari," the symbol of the type of
courage and unrelenting hope that can be found in the modern day Israeli.
I don’t like to dwell on despair, so I allowed the tale in
my head to weave its way through yarns of action, romance, suspense, even
humor, culminating on a note of hope and optimism.
I wanted to transport the reader, invite him or her into
the very passionate core of the Israeli. The mainstream media does not paint an
accurate or fair picture of Israel
and of Israelis. So…In writing The Gilboa Iris, I wanted people to see what I
see, what Israelis see and what needs to be seen. I wanted the reader to be
submerged in the lives of Dara, Roni and Uri - to feel what my characters felt
as if it were palpable - to have the passion permanently imprinted in one's
heart.
And you certainly have done that, Zahava. It’s such a moving story. And the settings are also interesting. You take the reader from Israel’s Gilboa
Mountains to New York City as well as Germany’s Zehlendorf Forest. How did you go about researching these
magnificent places?
ZAHAVA: While The Gilboa Iris is
not an autobiography, I incorporated some of my own experiences into the story.
For example, I spent my seventeenth year working on a kibbutz in the Gilboa
region of Israel.
I therefore, have an intimate knowledge of kibbutz life and felt it was the
perfect type of setting to begin the story. As for New York City, I was born and bread there.
And with respect to Germany,
I depended a lot on Google. I must mention here that it didn’t hurt that my
mother was born in Germany,
and I was fairly acquainted with the language and the culture.
Actually, I wondered whether you had spent time working on a kibbutz
because those scenes were full of detailed.
I felt like I was there, and in that hot sun! And my next question is about the title. Can you tell us how you came to choose it?
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ZAHAVA: The Gilboa Iris is a wild
flower that grows in the Gilboa region of Israel,
just south of the Galilee. For me it signifies
hope since this purple hued flower miraculously sprouts each year without fail
in what is considered an extremely arid environment. The Gilboa Iris is a tale
about undying love, passion and relentless hope. I utilized this symbol as a recurring theme
throughout the book. Dara held on to the very first Gilboa Iris that Roni gave
her, treasuring it and preserving it throughout the years
− as if she drew her very
strength from it. I also considered the title, The Gilboa Iris to be somewhat
mysterious, summoning the natural curiosity of the reader.
Well, it worked because I immediately went searching on the internet to
find out more about the Gilboa Mountains, and the iris.
Not only romance, but intrigue and suspense. A great book! It must have
been difficult to keep all the strings going and wrap them up. Did you use a
story board or have an outline to keep it organized?
ZAHAVA: Surprisingly,
no. The story of The Gilboa Iris had been milling about my head for several
months before I finally decided to put it to paper. The outline was embedded in
my mind. What I hadn’t worked out, practically wrote itself as I typed. As for
the rest, my characters seemed to finish for me, as the story took on a life of
its own. The only notes I jotted down for myself was when researching various
facts for accuracy or when delving into unfamiliar territory, such as missile
technology or how to disable a car without destroying the engine.
Dara Harow and Roni Ben-Ari are both very strong characters; did you base
them, (or pieces of them), on characters in your life?
ZAHAVA: What I keep denying to
all my friends who have read The Gilboa Iris, is that the character of Dara
Harow is not me or based on my life. They usually respond with a knowing laugh.
Of course there are certain elements of my personality that are naturally
present in Dara, but for the most part, I will stubbornly maintain that the
only thing she and I have in common is our long dark hair! As for Roni Ben-Ari,
I wish I had known someone of his caliber! But, regrettably, I can’t say that I
have. There was however, a young man on my kibbutz who was a bit of a brooder
and not too friendly at first. His eyes were striking as well, but the
similarities between him and Roni Ben-Ari end there.
I agree. A character is made up
from many sources, such as the striking eyes of the brooding young man you met
while working on your kibbutz. I think
our minds must store these things as we go about our lives. Very convenient if you happen to be a writer!
Do you have a favourite scene, Zahava?
ZAHAVA: Believe it or not, it was not the spicy
romance scenes, the flirty fun chapters or the suspenseful intrigue. My
favorite scene was the saddest one in the novel, and what was the most
difficult to write. It was the chapter that had Dara face the most devastating
consequences of Arab terror, depicting her very real, very pained and at the
same time very indignant and passionate
reaction. I wrote it out of some deep and sorrow-filled place, impressed upon
me from my own experiences after meeting the other victims of terror − those who were left behind to
pick up the pieces.
I remember that scene well. It’s
imprinted on my mind. It would have been
very difficult to write and is a tribute to you.
Do you have a favourite character in The Gilboa Iris? And if you do, why?
ZAHAVA: I can’t pick just one! I
love all three of my main characters, Dara, Roni and Uri. Each are well
defined, uniquely real, and believable with his and her own set of flaws
− yet each having a
strength of character that engages the reader, drawing you in to find out what
will happen next. Okay, I’m obviously biased, but they are credible, intense,
compelling, imperfect, scarred, sexy and fun! In developing them, I became
them. They are so much a part of me.
All three characters are uniquely real.
I got quite taken up with their lives, and I remember being particularly annoyed at
Uri when he and Dara first met.
Is there a message in The Gilboa Iris that you want your readers to
grasp?
ZAHAVA: Triumph over despair and
holding on to hope at all costs. I like happy endings. Not fairy-tale happy
endings, but happy endings with the right blend of realism, perhaps…bitter
sweet realism and that sense of longing coupled with hope, for that hard to
reach tranquil bliss in our Land of Israel. And, as I mentioned previously, I
wanted to acquaint the reader with the true heart of the Israeli and to invite
him or her into a world that is not portrayed through the international media − to get the real
picture.
Well, I think you have gone a long way in doing that, Zahava.
Your first book, Settling for
More: From Jersey to Judea, is non-fiction.
Can you tell us why you chose fiction for your second book?
ZAHAVA: I find that people are
more amenable to new ideas and different outlooks if they are not force-fed.
The unfamiliar is easily understood and more palatable when one can visualize
and arrive at a particular realization through the creative contours of a well-written
story.
And a wonderful way to show what life in Israel is like for Israelis.
What activity (cause, charity, organization) consumes your time when
you’re not writing?
ZAHAVA: I have been involved in
raising awareness as well as raising funds for humanitarian and security needs
throughout Israel, in
particular in Judea and Samaria.
I have also had the privilege of joining a theater group in Israel known as
Raise Your Spirits, whose productions help raise funds for victims of terror.
What did you find the hardest part in writing a novel after writing
non-fiction?
ZAHAVA: How all-consuming it is.
I literally became The Gilboa Iris. My friends often joked about the far-away
look in my eyes when I was supposedly engaged in conversation with them, but in
actuality, was planning out the next chapter in my mind. I became my
characters. When they were happy, I was happy. When they were sad, I was sad.
There was no division, no boundaries.
What is your favourite method when you write? Computer, ipad, pen and pencil?
ZAHAVA: The computer is my
favorite method when writing. I type much faster than I can write and found it
to be the only way I can keep up with all the ideas racing through my mind.
Do you have any words of advice for aspiring writers?
ZAHAVA: The longstanding advice of writing about what
you know is advice one should stick with. When delving into new territory,
quality research is essential and there are no short-cuts. Most important of
all, is to feel passionate about what you write and don’t hold back.
Is there anything else you would like to share with us, Zahava?
ZAHAVA: As much as it is my dream
for my novel to go viral, and sure, to be made into a movie (I say that with a
huge grin), it has been a thrill just to have been recognized as a quality
writer by my publisher at Gefen Publishing House and to be given an opportunity
to put my heart out there to share with others. Because that is what The Gilboa
Iris is − a very huge
piece of my heart.
Well, I think you’ve written a marvelous book, Zahava, that’s not only
filled with romance and suspense, but is also a window into life in
Israel. Congratulations and thank you so
much for being with us today.
About the Author:
A native of New York, Zahava Englard lived in Teaneck, NJ, before moving with her family to
Israel in 2006. An outspoken activist in the United States on behalf of Israel, she served as
trustee on the executive board of One Israel Fund and as its executive director. Presently Zahava
lives in Israel. Her writing includes Settling for More: From Jersey to Judea, and she lectures in
the United States and Israel about her books, Jewish activism, and her passion for Israel’s wellbeing.
This is her first novel.
The Gilboa Iris is available in
paperback, ebook and nook formats at the following websites:-
And you can learn more about
Zahava Englard here:-
FACEBOOK:- Passionate
about Israel,
FACEBOOK:- Zahava D.
Englard.
by Zahava Englard
Dara Harow, daughter of a rocket physicist for the US Department of Defense, sends her parents into a tailspin of dual-loyalty anxiety when she plans to wed the brooding and mysterious Roni Ben-Ari, an Israeli officer in an elite counter-terrorist unit. Yet Dara's budding perfect world is shattered when the terror that she thought she left behind in the States catches up to her in Israel with devastating results, and before long realizes she must come to terms with the shock lie about the one man she trusted most.
The Gilboa Iris is a blazing tale of romance, deceit, and international intrigue. Its rich characters and explosive plot take readers from Israel's Gilboa Mountains to the streets of New York, to Germany's Zehlendorf Forest, and back to Israel amid seminal events that rocked the world between 1982 and 2002.
